• When she was 8 years old she received a Guitar for Christmas.

What education did she have?

• She started in a state program and studied there for 3 years.
• She continued with guitar in a private way.
• She graduated from Music Production at the ORT Technical School in 2007. There she met incredible musicians and was stage assistant for Zarabairas and Klauss.
• She took private piano lessons with Christian Vizcalaza and then with Demián Sielecki with whom she also studied music pedagogy from Violeta Hemsy de Gainza.
• She then studied Electronic Arts at UNTreF and participated in research projects, wrote articles and presented at congresses with Fabián Luna for 4 years.
• She took private piano lessons with Mono Fontana and sound synthesis with Ernesto Romeo.
• She collaborated in the construction of the recording studio La Siesta del Fauno where she worked as an assistant and later as a sound engineer.
• She was part of the Audiovisual Department at ORT.
• She studied Composition at the Manuel de Falla Conservatory with maestro Ricardo Capellano.
• She took classes on Management and Communication with Leandro Frías, Facebook with Joaquín, Digital Marketing with Aymará Pedrueza, Thinking and Writing with Agustín Valle.
• She studied Piano at the Manuel de Falla Conservatory with Mariana Bollero and Horacio Mato.
• She attended the Musical Arrangements Workshop with Javier Mareco.
• She took guitar lessons with Luciana Torfano.
• She participated for many years in choirs of Fernando Polonuer and Cecilia Gross.
• She took singing lessons with Ruth Curiel and Bárbara Togander, among others.

In which musical projects is she currently participating?

• Koala
• Canciones de Amor
• Jorge Adimari Project

In which musical projects did she participate?

• La Negra Nieves
• Inclan Funk
• The nenas
• Provisorio
• Enoverol
• The Flooxies
• Ferdixx
• Jaime Wilensky

What are her main goals?

• What matters most to her about music is to be able to share it, offering the best results of all the processes she has lived through. To keep growing and cultivating more musics and also more people making music with a direct connection.

What is the best thing about teaching?

• The most beautiful thing about teaching is getting to know a person and being able to see their personality through music. It is also very interesting to experience the processes of growth, the emergence of their musicality, the mastery of the instruments, their body and communication. She loves to see people expressing themselves, being them, through sounds.

What does she love most about making music?

• What she loves most about making music is being present. Music and sound are only possible in time. Time has to be inhabited, and since we perceive music as sound, it is acoustic and cannot be trapped. It must be done in real time, you have to be there, you have to be concentrated, connected, attentive. It is a refuge that protects us from the past and the future, but that nevertheless happens thanks to all of this and also helps us to transit them better and to know ourselves better. Allowing us to see with our eyes closed.

An anecdote.

• Her musical debut was at the Teatro Colón under the direction of Claudio Chirio in 1999 playing the guitar together with children from the whole elementary school.

Who do you like to work with?

• She likes to work with people of any age who are looking for something they know they don’t know and choose to develop patience, constancy, self-knowledge; they investigate, propose, ask, question, debate and accept the game.